FestivALT challenges stereotypes and promotes new ways of thinking about Polish-Jewish, contemporary issues. We operate at the intersection of art, activism and education; we take up difficult and meaningful topics relating to the complexity of Polish-Jewish relations in Poland today.
In the program of ARKHIV | אַרכיוו
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12 June 2218:00
“Such a spring night” / „така весняна ніч” Belov / Fedorova / Gladun / Sai / Krasnoshchok / Logachova / Nemyrovskyi – exhibition
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17 June 2220:00
“Site: Yizkor” Ciarrocchi / Conklin – instalation
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24 June 2219:00
“Opening Shabbat” Guzera – Shabbat dinner, vernissage
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24 June 2219:00
“From Darkness – Archives and Contemporary Times. Aspects of Memory” Guzera – exhibition
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25 June 2218:00
„8 Women” Cieniak – exhibition
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26 June 2214:00
“Museum of Lost Things: Pola” Miętus – performance/instalation
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27 June 2211:00
“The Jew, the Dog and the Neighbour. A neighborhood walk and practical introduction to Jewish law” Schwarz – urban walk
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27 June 2220:00
“Here, meaning where? Stories of (non)memory” Abbe – performance
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28 June 2216:00
“Negotiating Difficult Pasts: Heritage, Communities, Future” Gross / Romik / Janus / Stern – meeting
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28 June 2219:00
Trans Chidusz: A Long Table – performative discussion
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29 June 2219:00
“Esther’s Willow” Sala / Sniderman / Sala – exhibition
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30 June 2219:00
“ARJIV” Lande – movie screening
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30 June 2220:00
„This Was Home” Levy – movie screening
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01 July 2219:00
“Gender Diasporist” Waxman – performance
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03 July 2211:00
“Esther’s Willow” Sala / Sniderman / Sala – happening
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03 July 2219:00
“Robert The Devil” Aftyka / Jasieński / Kryszk / Sojka / Szpunar – concert
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FestivALT welcomes artists from around the world. The program includes over 15 theatre and music performances, exhibitions, conversation events, city walks and more. And this year we welcome interdisciplinary artist, Tobaron Waxman, working on residency with the Thinking Through the Museum project, in partnership with the POLIN Museum and Theatre Powszechny.
We have titled this year’s FestivALT, Arkhiv / אַרכיוו (Archive in Yiddish). Many of this year’s artists are exploring how archives frame the narrative lens, and as cultural producers, we are asking ourselves how the programs we share may inform the future framework of historical realities. What are our responsibilities to the future archives, and how do we work with archives to understand how we identify in the present tense and how we will be identified in the future.